Corman's Shlock Movie Legacy Chronicled in Book

Although several directors churned out lurid, cheap drive in movies in the 50s and 60s no one is more acclaimed in this genre than Roger Corman who is remembered in the new biography “Crab Monsters, Teenage Cavemen and Candy Stripe Nurses ” by Chris Nashawaty.

The advertising posters are far more interesting than many of the actual movies. This is illustrated in the 1957 Corman epic “Attack of the Crab Monsters,” wherein angry, expensive seafood make amends for the nuclear holocaust by murdering scientists stranded on an island.  One of the scientists is Russell Johnson who must have benefited from the tropical life since he recycled the role in “Gilligan’s Island” as the professor.  The lovely Pamela Duncan provides romantic interest for the professor in this Allied Artists film.

In the next decade the posters became more suggestive.  See page 98 for “Angels Hard as They Come” (“big men with throbbing machines and the girls who take them on.”)  The interview with Scott Glenn, leading man in this biker thriller, is worth a read.  On the next page, I enjoyed comments by Bruce Dern on “Bloody Mama,” possibly Corman’s best movie for American International Pictures.  Shelley Winters headlines this 1920s gangster movie that introduced Robert DeNiro, a Winters’ protege.  “Mama” has everything you want in a Corman movie, including gang rape, incest, nudity and gratuitous violence.

Nashawaty speculates that Corman had a vision that resonated with shlock movie fans.  The last half of the book is less interesting because the movies had lost much of their cheap vulgarity.  The book lacks an index and is not organized by chapters so you have to thumb through it to find what you want.

Haunted by Streetcars in "Hell Bound"

It’s this haunting image of the discarded Los Angeles streetcars in the 1950s that is etched in my memory from the 1957 film noir “Hell Bound” with John Russell as the bad guy.  In the final scene he is being chased and hides in a streetcar in a junk yard which I assume is near the Harbor Freeway.

It’s a sad reminder of how greed trashed a environmentally friendly transportation system to enable freeways and smog.  That’s progress.

Shoe Dog Nightmare Haunts My Nights

A nightmare about selling women’s shoes awoke me this morning and I need to purge myself of the hoax I perpetuated in the ‘50s and 60s on gullible consumers.  I was a women’s shoe dog for entry level retailer Edison Brothers Stores (Leeds, Bakers and Chandlers) in Spokane, Seattle, and Oakland.

Teen girls were a challenge with one asking to see “boss” shoes and I assured her that the boss’ size 11s would not be to her liking.  Then I would get the prospect who plopped down in the chair and announced that she “was waiting for a party.”  (The last party were had here was a bust.)

I hated myself and loathed the customers.  I was fired from Chandlers in Seattle when I went home to Spokane for spring break during Easter, a prime sales time then for shoes.  Particularly scary were wedding parties buying fabric shoes to be dyed to a fabric sample the ladies supplied.  One always hoped the shoes would be a perfect match but you couldn’t rely on the artisan who did the dying and also doubled as the janitor.

At all these stores we were expected to sell “extras” like handbags and shoe polish which resulted in extra commission.  I was particularly dysfunctional in littering the store with scores of shoes and the poor customer couldn’t make a choice.  But then many customers viewed shoe shopping as a sport and had no intention of actually purchasing.

I graduated to a public relations job at Fisher Blend KOMO-TV (ABC) in 1962 so I kissed off shoe sales but returned to it in Oakland in 1964 when I was unemployed.  My last shoe gig was in 1980 for a day or two as a “floater” at Sears in St. Paul which was really easy.  

Now it’s all self-service at Kohl’s, DSW and Penneys.  Maybe Nordstorms actually has sales help.  Who cares.

Courthouse Makes Commanding Presence in Downtown Spencer

The historic Clay County Courthouse in downtown Spencer, Iowa, is a notable architectural achievement.  It grabbed my attention on a visit to Spencer on Tuesday and inside I found a 1930 exhibit on the Civil War “relics of the Grand Army of the Republic" presented by the Women’s Relief Corps.  The building was restored in 1981-82.

Fond Memories of Movies at Two Spirit Lakes

IOWA — The great thing about growing up in the 1940s is that you could go to super neat places like Spirit Lake, Iowa, (shown here) as Gary H. did and see a great movie at the downtown theater, which sadly is closed. 

Of course, our family had several lake choices in the Inland Empire including Spirit Lake, Idaho, with its funky movie house where I saw “It Happened on Fifth Avenue” with Victor Moore and Gale Storm.  I also cut my foot on a beer bottle in the lake and had stitches and a tetanus shot.

The Iowa Spirit Lake has a lot more history including a massacre and a famous tour boat, the Queen, which is remembered with a statue of the captain (shown here).  Also it is near the two Okobojee lakes and an amusement park with a wood track roller coaster.  It doesn’t get any better.

Although it was never part of my life, a kid couldn’t go wrong at Saltair on the Great Salt Lake in the early 1900s.

Movies on Recently Erected Drive In Screen

IOWA — The recently built Super 71 Drive in Theater near Spirit Lake is somewhat of a head scratcher.  Why when most drive ins have been demolished is anyone  building a new one?  Obviously this is creative capitalism, going against the grain.  I was glad I could actually verify with my owns eyes that the Superior 71 exists but is closed for the season.

Students Score Hit with Fiddler Musical

After receiving a standing ovation Saturday for their performance of “Fiddler on the Roof,” it will be difficult for the Edina High School students to return to planet earth on Monday with locker doors slamming and teachers’ dirty looks.  

Having seen a professional production of Fiddler in October, I had low expectations that were quickly dispelled by the take charge teen attitude.  Here’s a musical with definite baby boomer appeal and it has endured more than 40 years.

The very tricky ghost of Lazar Wolf’s wife in the dream sequence was flawless which is a miracle considering the actress was perched on a lift.  Other scene stealers were Zach Farhat as Tevye and Tori Adams as Hodel.

When I look back at the humble efforts of the Lewis and Clark High School actors in 1958 with “Lil’ Abner” I realize we have advanced with student productions given “Fiddler” which makes “Glee” almost believable.

There are sufficient reasons why the Twin Cities has the third highest theater attendance per capita in the country and I think it starts with the public schools here.

Crawford Swings the Axe in "Strait Jacket"

Academy Award winner Joan Crawford recycles a grotesque version of Sadie Thompson in the 1964 horror flick “Strait Jacket” and and the results are hilarious in a cheap flowered dress and fright wig.  

The scene that is borrowed from “Rain” is where a vampish Crawford turns up the music on the phonograph and makes vampish moves on her daughters young boyfriend.

Crawford’s late career script choices were quite bizarre and “Strait Jacket” and “Bizerk!” have similar plots which I won’t spoil.  “Strait Jacket” is a William Castle drive in movie exploitation vehicle and Crawford made another film for him at Universal-International.  

It was a tough time for golden era stars and Bette Davis made “Bunny O’Hare” for American International that is unbelievably and hilariously bad.

Opera & Politics Don't Mix

Jeff Johnson in a Sunday Pioneer Press opinion piece wants us to believe, without offering any supporting evidence, that Minnesota lacks a “true level playing field,” whatever that means, and this makes us less attractive to business.

Johnson is recycling an old conversation about government vs. business and the role of government as if it hasn’t been on the agenda during 20 years of Republican and libertarian governors and now a Democrat governor.  

Instead of offering us facts and figures, Johnson got bogged down in cliches like “the best of times and worst of times” that really don’t make much sense in the context of state government.  Unfortunately he squandered an opportunity to offer new ideas in this opinion piece.

Dads who need to marry off their daughters to get cash inflowing are the topics in the opera “Arabella” and in the musical “Fiddler on the Roof.”  Unlike the opera/musical “Les Miserables,” “Arabella” doesn’t generate any sympathy for the central characters.  Who gives a rip if Arabella marries the country bumpkin or not?  So my opera buddy fell asleep in the first half and I watched the time during the remaining acts wondering if I would retrieve the Chrysler before 11 pm when the parking ramp closes.  The pace at which Arabella was moving toward the altar gave me pause.

The Minnesota Opera Co. does a spectacular job of presenting singers and orchestra in beautiful sets and costumes.

“The Conqueror” Comes at End of Golden Era

More Vegas production number than Mongolian tribal ritual, is the dance of the scantily clad ladies in the 1955 Howard Hughes RKO Radio spectacular “The Conqueror.”  But then this should be expected in a Hughes movie.

In a classic bit of miscasting, John Wayne plays Genghis Kahn and Susan Hayward is the object of his lust who is featured in the sensuous dance sequence which is probably a reason to watch.

Special mention goes to Victor Young for a thrilling soundtrack and to Utah’s Escalante Desert, which, according to the Halliwell book, was the site of nuclear bomb tests.  Much of the movie was filmed in Utah and several of the actors, who also were smokers, died of cancer including Wayne, Hayward and Dick Powell, the director. 

“The Conqueror” came two years after the first Cinemascope film, “The Robe,” also a big budget epic.   Wayne was believable in “Back to Bataan” (RKO) and was good in “Flying Tigers” (Republic) but John Carroll  was the scene stealer in the later.

With a better actor in the lead, “Conqueror” might have been decent.  Wayne was intrigued by the script when he saw it on a desk at RKO Radio studios.  Wayne apparently decided he would play it as an Asian cowboy.  

Powell capped a distinguished movie career with “Conqueror,” having been in ‘30s Warner Brothers musicals and in the ‘40s RKO Radio film noir.  He is remembered for the “Four Star Theater” on TV.

YouTube features “The Conqueror.”

Jennifer Eckes Hits Right Notes for Bacharach

I was transported Sunday to 1966 dream-like at Joe’s LB in Boise with a combo performing “The Look of Love.”  Actually I was at the Bloomington Black Box Theater listening to Jennifer Eckes performing that same haunting melody which was also a hit for Brazil 66.  

“What the World Needs Now: The Songs of Burt Bacharach and Hal David” was a much appreciated salute by singer Eckes and Arnie Fogel, longtime Twin Cities performer and radio personality.  It was sobering to see the advanced ages of all those attending yesterday because I consider B&D music cool and contemporary and how did we all get so old?

Forty-five years ago as young adults we had music choices.  We could hear B&D music on MOR radio stations such as KHJ, LA; KFRC, SF; and KBOI and KIDO, Boise.  I  think those stations rivaled the Top 40 in listenership back then.  Now I listen to B&D music on Pandora.

The highlight of the show was Eckes singing “One Less Bell” in a mash-up with “A House is Not a Home.”  The musical backup was minimal and of course a synthesizer or an orchestra would have been ideal, but then we were in a very small theater.

Eckes is a performer who deserves a bigger audience and I hope she gets it.

NBC’s Dracula Suffers From Poor Scripts

Halfway through the NBC Dracula series with Jonathan Rhys Meyers I switched to my DVD of the ’43 PRC vampire feature “Dead Men Walk,” which was more entertaining.  Meyers is a super actor and I love him in “Velvet Goldmine,” but this NBC series is boring.

What “Dead Men Walk” has is some interesting B actors of the era including George Zucco, Dwight Frye and Fuzzy St. John.  Frye plays the vampire’s best friend in this feature and is remembered as the bug eating Renfield in the ’31 “Dracula.”  You can’t beat Frye for crazy guy and of course St. John is always fun as the back woods simpleton.

There’s also a hysterical old lady and the innocent young woman played by Mary Carlisle who was paired with a handsome hero whose name escapes me.

Mike McCarthy Captivates in “Blithe Spirit”

Charles comes to very harsh judgments about his mother and two dead wives in the 1941 Noel Coward play “Blithe Spirit” performed Sunday by the River Valley Theatre Company at Shakopee West Junior High School Auditorium.

Actor Mike McCarthy owns the title role of Charles and is cool on and off stage as we learned after the play discussion with the cast.  My theater buddy Gary made some thoughtful observations in the after play time and we enjoyed this Halloween ghost comedy.

Also commanding the stage is Daphne Siegert as Madame Arcati, the flamboyant soothsayer who projects to the back row of the spacious auditorium.

The production is noteworthy for its attention to detail in costumes and props as well as the ghost like effects.  Coward’s plays still attract an audience but have to be a hard sell.  Plan to see it.

www.rivervalleytheatrecompany.com

According to Sunday’s Pioneer Press, Mayor Chris Coleman is leading a tour of the downtown Palace Theater in hopes of getting state bonding money to renovate and reopen the abandoned vaudeville and movie house.  Coleman envisions the Palace as a contemporary music venue.  Will anyone over 30 be interested?  

Forget "Gravity," See "Phantom Planet"

With a the buzz over Sandy and George in space in “Gravity,” I decided to peruse the 1962 science shocker of the space age, “The Phantom Planet,” which I got for 25 cents.  The plot is similar to “Queen of Outer Space” where a macho space cowboy stumbles on the planet “Rheton” where the women are beautiful and the guys are 6 inches tall so our hero has a chance. 
A distraction from the Moon Maidens is the Anthony Dexter character who challenges the hero played by Dean Fredericks to a fight.  It ends well and they patch over their differences.
The real reason for seeing this is the introduction of newcomer Dolores Faith who I swear is a Liz Taylor look alike.  Folks will be buzzing over Dolores for years t o come.
Minnesota native Coleen Gray also headlines this mess.  She will be remembered for “Nightmare Alley” and “Kansas City Confidential” rather than “Phantom Planet.” 
Famous silent film star Francis X. Buschman makes his final appearance in this movie as the king of Rheton so this is another reason to watch.
Space travel is challenging and you never know what you will find when you get there whatever there is.

Living the Diamond Life With Liz in New Cable Movie

A boozy Liz Taylor played brilliantly by Helena Bonham Carter is reunited in 1983 with ex-husband Richard Burton (Dominic West) for the Noel Coward Broadway play “Private LIves” in the BBC TV movie “Burton and Taylor” shown Wednesday.  This is another installment in the saga of women who who lived large like Peggy Hopkins Joyce and Donattelle Versace.

Fans of “Virginia Wolfe” will recognize a Martha and George dynamic in B & T with Burton attempting a serious reading of “Private Lives” and the tipsy Liz clowning and mugging for an appreciative audience.  The play, an ill-advised train wreck and curious sideshow, was panned by the New York critics.  Yet theater arts professor Bill from Iowa probably enjoyed it when he saw it with Liz and Dick on Broadway.  Working at cross purposes, the venture is doomed from the get go with Taylor hoping to rekindle romance with the British actor and Burton trying to reestablish his theatrical credentials.

In a remarkable scene, Taylor makes a grand entrance following a gaggle of dogs on leashes, reminiscent of Mrs. Joyce in “International House.”  Bonham Carter is so much Liz with the walk and talk that we forget that it is an act. 

Unfortunately the version shown on cable last night was interrupted every 10 minutes with commercials and naughty words were bleeped out.  This is another reason to kiss Comcast goodbye.  Hopefully an unedited DVD will be available in the near future.

Versace, Black Sunday are both Italian Horror Movies

Drug crazed fashion designer Donatelle Versace struggled with a pesky family and  cutthroat high fashion competition in the Halloween Lifetime movie “The House of Versace” with Gina Gershin as DV.  The actor who was Veronica Mars' dad  appears briefly as Gianni Versace.

The Versaces lived large in the 90s when business was good with mansions in Miami Beach, Italy and elsewhere.  Keeping up appearances has got to be tough.  The roof came crashing in on the enterprise after Gianni was murdered by Mad Andy and DV took over the business, running it into the ground with unmarketable rags.  Driven by hatred for her deceased brother who basically cut her out of his will and other issues, she binged on cocaine and whatnot.

Finally the day of reckoning came with the family intervention and her trip to a drug rehabilitation facility.  Rather than some Minneapolis dump, she is comfortably housed in a tropical facility where she is deprived of her stiletto pumps. Such an ordeal!  Refreshed from  rehab and sober as a judge she is reinstated in the House of Versace where she apologies to the help for her bad behavior.  So the melodrama ends on a sweet note.

Much is made of the Versace  designed revealing dress that actress Elizabeth Hurley wore to an awards ceremony.  That dress brought a lot of positive buzz to the Versace brand but if Ms. Hurley had appeared in public in a gunny sack with her puppies popping out the results may have been the same.

Nightmare alert:  Lifetime followed the movie with a Behind the Story documentary on the Versaces and let me tell you the real life DV suffers by comparison with the actress Gershin.  Don’t let the kids watch.

Make a double feature of it with the Italian Gothic horror classic “Black Sunday” featuring Barbara Steele as Katia who is revisited by a presumably dead witch who was horribly executed.  Katia is treated badly but then she wasn’t tops at house keeping with her fog enshrined dungeon like mansion decorated with cobwebs.    Mario Bava directed “Black Sunday,” a horror masterpiece in black and white from the ‘60s.

Peggy Joyce Was Outrageous Roaring Twenties Icon

Peggy Hopkins Joyce was called “superficial, shallow and an unabashed slut.” The biography “Gold Digger” by Constance Rosenblum concludes that PHJ was “high spirited” and was the pioneer in the media driven rise of celebrities.  My interest in all matters Joyce was prompted by the 1933 all star comedy “International House” which was headlined by Joyce and W.C. Fields.  This is a fun filled double entendre romp comparable to Mae West’s “She Done Him Wrong.”  Some said she lacked any visible talent other than being glamorous.
In the 1920s when average Americans were struggling on $1,000 a year, Joyce went on a million dollar shopping spree in Manhattan.  She probably was the inspiration for many songs of the day.  In fact she “ala carted with barons and earls” and some said “The Lady is a Tramp.”
She was married six times and engaged to countless other men  Some of her lovers included King Gustav of Sweden, Charlie Chaplin and auto tycoon Walter P. Chrysler who was giddy enough to buy her two Isotta Fraschini cars and a $300,000 blue diamond, an 18th century bauble found in Brazil and now housed at the Smithsonian Institution.
Our fascination with people who  are famous for being famous and are today’s marketable commodities exploited by super market tabloids and TV shows like “Insider” and “Extra.”  Zsa Gabor and Liz Taylor certainly were adored for their diamonds and marriages and Kim Kardashian is another story.

Murder, Torture, Death Camp Told in Kovaly Memoir

A survivor of Aushwitz and the cruelty of Stalin’s communism and the widow of murdered Jewish deputy minister of foreign trade has written a devastating memoir, “Under A Cruel Star: A Life in Prague 1941-68.”  This 1986 book by Heda Margolius Kovaly, was a must read for my Central European history class on the U of M Campus.  Kovaly's first husband was Rudolph Margouilis who was hung by the communist government in a show trial prompted by Stalin's anti semitism.
This is my great Central European fall where I was surprised to learn that the 1971 movie “Fiddler on the Roof” was filmed in Yugoslavia, a communist country ruled by the maverick Marshal Tito.

Nia and Toni Are Super in "Connie & Carla" drag queen comedy

“I loved you in “What’s the Matter With Helen” (a campy 70s AIP horror slasher flick with Debbie Reynolds and Shelley Winters) a drag queen says to Ms. Reynolds in the musical comedy “Connie and Carla.”  C&C is a redo of “Some Like it Hot” with straight women played by Nia Vardalos and Toni Collette escaping from the gangsters and doing very bad cabaret numbers.  I am mean but I love the reference to “Helen” and too bad no one asked if a redo of “Bundle of Joy” might be considered?  C&C has it’s moments and more worthwhile were the interviews with the director and stars on the DVD.  Ms. Collette is memorable in a whole bunch of films and the TV series “United States of Tara.”  Seen with “Girls will be Girls” (a men in drag comedy), C&C is a fun night at the movies.  The Debbie warbles a few notes as well.  Also  plan to see “Helen” on Halloween.

Rain Musical is Big Bloomington Hit

Kudos to Bloomington Civic Theater music director Anita Ruth and “Singin’ in the Rain” director Michael M. Ferrell on the sold out performances on going.  Not since “”42nd Street,” have local audiences appreciated the familiar tunes and the ‘30s nostalgia that is the big draw.  Enough with Sondheim!
Although the stage was free of rain, it worked for me.  Jeffrey Nelson is a standout as Cosmo, the Donald O’Connor role in the movie.  Some of the more memorable tunes are “You Are My Lucky Star,” “Good Morning,” “You Stepped Out of a Dream” and of course the title song.  Too bad you missed it.